Autumn Winter 2011-12 Textile Trend Direction - Function

on 14/8/10

One of the four textile directions predicted for Autumn Winter 2011-12, 'Function', can be split into three textile moods.  Basics are have a pared down simplicity in the first mood, whilst utility is seen within simple textiles where the focus is on tradional weave patterns, whilst 'Austerity Continues' with a darker edge created via tone on tone colour palettes in black & navy colourings.

Textile Trend Direction 1: Basics

Subtle finishes & luxurious yarns keep 'basics' from becoming boring, upbeat simplicity is the key to provide new modern classics.

• Luxury yarns in neutral tones set the direction for knitted textiles
• Knit structures are kept simple and fine
• Patterns come from the blurring of colour tones

_{WhiteWash Studio Collection, "Knit Silk Static Tank", "Linen Hand Dyed Batik Magnetic Principle"}

• Crisp linens and cottons are functional and versatile
• Effortless seams and hems add subtle detailing

_{WhiteWash Studio Collection, "Pinstripe Linen Samurai Shirt", "Asymmetrical Geometric Cotton Gauze Dress"}

Textile Trend Direction 2: Utility Fabrics

Classic weaves provide a pared-down wintery feel, whilst ornamental detailing & pleating continues to create a utility approach.

• Heavy fabrics are woven with twill and herringbone stuctures
• Cotton jersey is folded and pleated to add simple surface qualities
• The utility trend returns in the detailing with brass ornaments adorning fabrics

_{Pitti Filati 67, "Bemiva", Photograph by F. Guazzelli}

Textile Trend Direction 3: Austerity Continues

Fabrics take on a masculine feel as 'Austerity Continues' for Autumn Winter 2011-12, palettes are dark & brooding with a mixture of tone on tone & dye techniques.

• Dip-dying fabrics creates an expansive range of different tones of the same colour
• Blues, blacks, browns and purples are all blurred together to create a tonal colour palette

^{PULI - lounge chair - Shadow By Attila FKovacs}

• Quilting and fabric manipulation techniques such as smocking create shadows within the fabric, leaving a visual effect of tone on tone colour.

^{Quilt 09.  ©Paul Tahon and R & E Bouroullec}

^{Varun Sardana - Blow PR}

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